Reviewing The Problems Of Music Piracy Media Essay

Reviewing The Problems Of melody Piracy Media Essaymedicine cyberspace buc guttereering is causing serious problems within the globose auberge, especially the rule of medicine constancy. Music network plagiarisation itself has resulted in big unison companies frequently(prenominal) as Sony, in losing gazillions of dollars ein truth grade and is progressively growing. There possess been galore(postnominal) an(prenominal) institutions and strategies that gestate been adopted by the unison intentness to combat medicament plagiarism which decl ar addressed medication plagiarisation but take aim not had the baron to s turn outgo it.In this taste, I get out be investigation The effect of Peer-to-Peer profits plagiarization on the medical specialty patience. I depart be doing so by breaking up my strive into different scratchs. These include an introductory section on melody tiller and copy castigate infringements this will give just about backgrou nd information as to the whole concept of euphony coers. Then I would be investigating The worldwide Music fabrication and to follow this, a section on why euphony piracy has been so fortunate. Straight after this I will look at the attentions response to combat medicine piracy and finally a section on the proximo of the harmony industryThis topic is worthy of study because it outlines the impact of unison piracy on the medicament industry. This should make you think twice in the beginning d receiveloading a mental strain or album because you will witness the effect it is having on the artists, producers, singers, and companies if you consistently download practice of medicine. If music piracy continues, it will squander an effect on people entering the music industry because they ar being denied of the specie they deserve.Music Publishment and Copyright InfringementMusic piracy is defined as the il heavy duplication and distribution of headphone written texts.1Each time an album or single is purchased a faction of that sale goes to the artist or band that made the song. This money is called a royalty payment. This is where musicians earn close of their income. If people continually download music or tracks from the Internet without compensable for them, the musicians receive no royalties.2This is a serious problem because if singers are not payed, this will adventure the in store(predicate) of music copyright as they expertness leave the industry due to the decreased return.Music copyright is the legal right to publish and sell copies of an artists, singers, or writers feat.3In the music industry, the copyright to a song is usually shared by the singer and their embarking compevery under the condition that the recording company pays the singer for a share in their copyright, which gives the company the right to prevent any opposite establishment from selling the songs. The consequence of another company being build selling copies of the song is that the singer or their recording company has the right to sue and press charges against that company for breaking copyright honors.4The artists have this right to make sure that entirely their companies can sell their songs, which would result in more(prenominal) everywhere that company receiving the money. But when the music is downloaded from the Internet, the companies do not start money out of it as it is a free transition to the downloader.The Global Music IndustryThe global music industry was sooner triple-crown during the 1990s. According to the International Federation of the Phonographic industry (IFPI), album gross revenue grew from US$24.1 billion to US$38.6 billion during the decade.5Those days are well over instanter and the industry is struggling and sales have been falling quite rapidly. The Institute for Policy Innovation said music piracy is cost the U.S. economy $12.5 billion every year. 71,060 U.S. jobs lost, a loss of $2.7 billion in wor kers earnings, and a loss of $422 million in tax revenues, $291 million in personal income tax and $131 million in lost corporate income and action taxes.6So not lone(prenominal) is music piracy being the rising of music copyright, it is to a fault threatening the global society in damage of jobs, taxes and salaries.This problem has arisen from the online music accommodate share programs that are now gettable to use with the internet. The intimately commonly used send communion is Peer to Peer (P2P) networking, which was used by Napster. Napster was created in June 1999 and made the work of legion(predicate) artists easy for free. Napsters usuality was immediate and according to Mediametrix, a company that provides internet rankings and measurement, Napster was the desistest software adoption in history7and 2.8 billion music sticks were downloaded all(prenominal) month.8Napster is a different mien to distribute MP3 charge ups. Instead of storing the songs on a ce ntral com identifyer, the songs live on users machines. When you want to download a song using Napster, you are downloading it from another persons machine, and that person could be your next-door neighbor or someone halfway around the world.9Napster also used a centralized directory that facilitated efficient searches for songs, albums and artists,10which made it very user-friendly that helped it become to a greater extent than fashionable and widely used around the world.Given the impact on the music industry, the Recording Music of America (RIAA) soon recordd a boldness against Napster in the U.S. District Court of San Francisco for engaging in or enabling, facilitating or assisting others in the copying, downloading, uploading, transmission, or distribution of copyrighted musical work or sound recordings protected by copyright or state law without the express permission of the rights owners.11Napster was then shut down February 2001. This did not contain the end of file ov erlap on the internet though many other peer-to-peer alternatives to exchange music over the internet remained forthcoming such(prenominal) as Freenet, Gnutella, Gnarly, Wired Planet12and KaZaA. For instance, KaZaA, is currently holding the late record of close downloaded software with more(prenominal) than 230 million users worldwide.13In all the countries listed by the rube Buzz Index, which is an index that measures internet search sing the Yahoo search engine, KaZaA was the number one and intimately popular search line on the internet in many weeks during 2003.14 15The graph above demonstrates the change magnitude sales of music from 1991 to 1998, but due to the basis of Napster in 1999, music sales have decreased rapidly from 2000 onwards and are inactive decreasing. The graph also indicates that it is projected that in 2012, there would be an ontogeny in the amount of digital format spending on music and less CD sales compared to the sales in 2006.File sharing has been growing ever since it started. In June 2001, IFPI estimated there were 3 million coincidental global users and 500 million files available for copying at any stage in time. In 2002, the IFPI estimate went up to 5 million simultaneous users and 900 million files.16Clearly we can see now that file sharing is increasing rapidly every year and is get more popular with more users and files being put up to download. In 2002, NetPD, a company that provides protection services to copyright owners whose material is being pirated through and through the internet, reported that 3.6 billion files were downloaded monthly, of which around 60% and 70% were music files.17The most popular albums are suffering the most. The most popular albums are available for downloading almost flat after release and in some cases to begin with release. Popular artist Eminems album was available for download even in advance it was released.18So it is fair to say that copyright protection engineering scie nce has been inefficacious in preventing music from being downloaded and threatens the future of music copyright.Not only are the producers and artists losing money, the top five recording distributors are also sprightliness the effect of music piracy. The five recording distributors or record labels immingle to distribute over 80% of all sales in the linked States in both 2002 and 2003.19These Big Five companies are , Universal Music Group (IMG), Warner/Elektra/Atlantic (WEA), Sony, Bertelsmann Music Group (BMG), and Electric and Musical Industries (EMI). These companies have tremendous market power in the signing of artists, the release of new albums and the distribution of the albums. If music piracy continues, it will threaten the rights of these big companies sales and music copyright20and impact on their commitment to sign and break off new artists. 21Table above presents aggregate market share info for total album sales in 2002 and 2003, the two years in the data sampl e.22Reasons That Contribute to Music Piracys SuccessionFile sharing and music piracy over the internet has been successful due to many aspects that are changing within the society. Back in the 90s there was no technology around to assist in file sharing. That is why the music sales were so successful in those days. But now society has crack fast wideband speeds and new computer technology that assist to make file sharing and music piracy possible and simple to do. In this section of the essay I will be underlining all the aspects that have been introduced in the society that have made it easier for music pirates (pirates being a person who downloads music or uploads music on the Internet), to make file sharing and music piracy so successful.The first reason for music piracys success is the tuition of broadband and cable internet which has facilitated music swapping. A soundtrack that takes more than 12 minutes to download with a dial-up connection can be downloaded to your compute r in as fast as 20 seconds with a high speed connection.23Napster enjoyed the super fast speed of the internet in Universities and used it effectively until they were banned because file swapping was consuming much of the bandwidth available. In the University of Illinois at Urbana-Champaign, file sharing had amounted to 75% of the total bandwidth.24 today that the internet speeds are fast-breaking and more efficient, downloading music is much easier and makes spirit much easier for the pirate. If this continues and technology keeps on improving, then this will surely threaten the future of music copyright because as mentioned before it is quicker to download and easier.Another change in technology that has the ability to threaten the future of music copyright is that it is getting easier to use such digital formats. The development of digital calculus formats has had a major influence on the culpable distribution of music. Online delivery is possible in Motion Picture dependa ble Group-1 Audio layer 3 format (MP3).25MP3 is a digital compression method that reduces a piece of recorded music to one-tenth of its accepted size.26This is the format used in the online sharing of pirate copies. MP3 is the most popular and procreative format of data compression. MP3 compresses the data without significantly compromising sound quality which is what the pirates want. Also, the ease of trading songs using MP3 format will caution consumers from buying legal copies of albums or songs,27which potentially does have the ability to threaten music copyright as it has become very easy to download and store music with minimal hassle, due to the MP3 format.MP3 files are more productive to use than CDs. A 5 minute soundtrack that would take more than 50 megabytes in CD compression format would only take a file of 5 megabytes to store without noticeably affecting the sound quality. This 5 megabyte compressed file takes 12 minutes to download with a dial-up internet connecti on (56Kbps modem downstream), 1 minute and 20 seconds with a unwavering DSL or cable connection (512Kbps downstream) and 20 seconds with a fast DSL connection (2000Kbps downstream).28So now that faster internet assists with faster downloads, many people buy fast speed broadband to download compressed MP3 files efficiently and effectively.The development a myriad of portable MP3 players ranging from top of the range IPods to inexpensive pocket sized MP3 players has also had an impact and will further threaten the future of music copyright. People can upload (rip) CDs to their PCs hard drives and list to music on their computer. The computer then has the ability to compress the files to a suitable MP3 format to reduce the storage storehouse on the hard drive and to facilitate the sharing of the files over the internet, and modify the files back to a CD format and burn CDs that can be played by any MP3 player. So the portability of the music is now more convenient, as now the music can be carried in a MP3 player device. MP3 players and IPods are the most popular sources of listening to music, so now if everybodys downloading music files off the internet, they will find it more convenient to listen to music from a little device such as an MP3 player. So if there is a growing number of MP3 users, there would also be a growing number of music downloaders, which has the impact to threaten the future of licensed and copyrighted music.The Industrys Response in Combating Music PiracyThe music industry has adopted many strategies, punishments and policies to combat and prevent music piracy from continuing. In this section of the essay I will analyse the responses that the industry have implemented to combat music piracy.The first response that the music industry implemented was that the RIAA (Recording Industry Association of America) individually sued participants in file sharing network. On June, 25, 2003, the RIAA announced unrestrictedly that it would be monitor ing file sharing networks and taking legal action against users of these networks. This announcement had the effect of lessen file sharing activity across the board because many consumers became concern about the risk of being sued for thousands of dollars. The RIAA focused their attention on the major offenders who were averaging more than 1, 000 copyrighted music files each.29Doing this reveals that as a result of the slip schema, album sales increased by 2.9% over the 23 weeks in the data sample after the strategy was announced. During this period, actual record sales in the U.S. were an average of 11,470,652 albums per week, based on national level data reported by Billboard magazine (2003) each week, and thus would have been 11,147,378 per week in the absence of the reduction in file sharing caused by the lawsuit strategy.30As you can see this lawsuit strategy was effective in combating music piracy. It increased the music sales and helped kill the issue of music piracy. R IAA continued with this for 23 weeks and revertped it. Because RIAA had focused only on the major offenders, this gave the chance for many casual users who initially wedded file sharing for fear of being sued to return to the music piracy networks.Another successful strategy that was implemented by the music industry that has eased music piracy was that it put up legal digital music online. Many companies and organisation are now allowing music to be downloaded with a cost attached to it. The most popular and prominent organisation is ITunes. ITunes charges their customers $0.99 per track downloaded. As of April 7, 2009, and onwards, ITunes is charging $1.29 per track to the most popular songs and $0.69 per track to the least popular songs.31The ITunes store has sold 8 billion tracks since its launch in mid-2003. It has been confirmed that recent months have seen music sales climb very high to four billion projected track sales each year.32Between January 6, 2009 and July 21, 200 9 the service sold 2 billion songs.33This compared to the sales betwixt April 28 2003 and January 10, 2007 to sell the first two billion songs. ITunes has also been rails extensive programmes of live events in London, hosting great and packed crowds and some of the worlds popular and successful artists.34So we can tell by this information that ITunes is a successful implementation by the industry and is continuing to grow rapidly. It is getting so popular that ITunes is now extending its stores to new European markets during this year. 35This graph shows a rapid increase of music sales of ITunes from 2002 to 2009.Another strategy that the industry has been implemented is that the major labels such as, Pressplay, own by Sony and Universal AOL MusicNet, owned by the other 3 big labels (EMI, AOL Time Warner and BMG) and by RealNetworks, are set to begin offering consumers digital-music subscription packages.36Most services offer boundless downloads, for a resolute charge from US$10 to US$20 per month and the possibility to do permanent burnable downloads for around US$1.37These digital- music subscription packs contain their own library of music and customers are admitted to download the licensed music that is on display and available for downloading. This proved to be a successful strategy as well. It gave consumers maximum downloads for a fixed price, the consumers were happy to use it because they were secured when downloading songs as they were legal to download.The music industry obstinate to seize CDs from CD companies in Italy, Greece and Spain due to the fact that these companies are producing more CDs to store downloaded music and distribute them bootlegly. Total seizures of CD-R discs in 2001 were terzetto times higher than in 2000, at 9.6 million.38Seizures of blank discs destined for penal CD-R labs totalled 19 million, compared to less than one million a year earlier indicating massive levels of anticipated production. There were also major ac tions against the mass-producing CD plants. Around 42 CD manufacturing lines, up from 20 the previous year, were put out of action by IFPI assisted police initiatives, mainly in Indonesia, Malaysia and Philippines. These manufacturers have a potential annual production capacity of some 200 million CDs, roughly equivalent to the legitimate market in the UK. A further 22 manufacturers were taken out of action in the first four months of 2002.39In some places, like the United Kingdom, the iii strikes policy has been introduced to try and combat music piracy and illegal file swapping across the internet. The deuce-ace strikes policy disconnect the Internet for users who have anger the copyright violation which have been promoted by the RIAA.40Hull, in the UK, has put the three strikes policy into practice to deal with the internet users caught downloading copyrighted material. Karoo, the citys only internet service provider (ISP), serving approximately 90,000 internet users has been cutting connections immediately if a user is caught downloading copyright material without warning the offender. This harsh practice of cutting the internet connection without notifying the customer, has brought controversy from customers and several digital rights group. chthonian the new law, Karoo will send three written warnings notices to the customer before cancelling their (ISP) connection, after the (ISP) accepted it was exceeding the expectations of copyright owners. The (ISP)s policy remains litigious as well as substantially harsher than that of other UK (ISP)s, which have seemingly been unenthusiastic to deal with illegal file sharing across their networks, and only lately agreed to send warnings notices to persistent offenders.41The Future of the Music IndustryThe future of the music industry looks grim for the years ahead. In this section of the essay I will be investigating the future of the music industry and music copyright.File sharing has made a hammy change i n the distribution process since it started causing changes in the music industry. In 1999, 51% of albums were sold in sell stores and 34% in other stores.42In 2002 and 2003 the share of sales in music stores had a dramatic drop to approximately 35%, whereas the other stores had increased to 50% of music sales. Also, by 2003, 5% of all music acquisition occurred through the internet and music piracy, and it is continually growing. The reason is that the industry is shifting from retail stores to sales through large electronics chains such as scoop Buy and Circuit City, as well as mass merchants such as Wal-Mart.43Therefore, music piracy is effecting not only music sales music copyright, it is also effecting the business industry. Now that most of the music is electronic and can be downloaded at home using the internet, music retailers such as Sanity have suffered due to internet file sharing and music piracy, which does have an effect on the future of the music retail industry as more music is being downloaded than sold traditionally in retail stores.Also, buying a record may be replaced with downloading a record,44which can affect the future of music industry as downloading a record eliminates the need for labels to manufacture, warehouse, and ship tangible products.45If consumers continually downloading music and ignore buying them, the industry will affect what music the public listens to and how they listen to it.46Because of this, many digital labels would be introduced. In the new web-based music industry, artists could make their own labels and record companies individually on the internet, using their own computer. This can affect the current major record labels as many indie47labels could easily produce their own record labels at home, which will increase the popularity of them, resulting in some of them being as successful as past indies such as Yahoo and Microsoft, which will give way to a more dynamic free market.48CONCLUSIONIn this essay I inves tigated The effect of Peer-to-Peer internet piracy on the music industry. I believe I have demonstrated that music piracy does have the ability to threaten the future of music copyright. I have also analysed the implementations the music industry have implied to combat this problem within the society and evaluate how successful they were to prevent music piracy from continuing.In conclusion, music piracy is infringing copyright laws and costing the music industry millions of dollars each year. With the introduction of Napster in 1999, music sales decreased extraordinarily. In 2001, Napster was put out of business but this did not see the end of music piracy. KaZaA, a Napster successor than came in business and is now holding the record for most downloaded files. As you can see, music piracy is very hard to split because if you shut down one distributor, many other distributors and organisations come into the illegal world of music piracy.Music piracy is getting easier due to the te chnologies available for the pirate to work with. Now there is super fast broadband internet speed, data compression, MP3 and portable players for the pirate to use to successfully download music efficiently and effectively. Digital music is now one of the most popular formats of music.The music industry has been working hard to combat music piracy and file swapping online. Although they did not completely stop music piracy altogether, they had certainly eased it and decreased the number of music downloads online. The most successful strategy that was introduced by the industry was to put legal music online. The music was digital, but it had a price fixed to each track. Many companies, namely ITunes, put their songs online legally and this decreased the level of music piracy over the Internet. ITunes is continually growing and is selling more and more tracks each year.A new focus that could be emerged from my study in this essay is What should the global society and music industry d o in order to stop music piracy at once and for all?